Region: Marseille & Provence

This villa designed by architect Alain Richard in 2007 has a 100 m2 roof terrace offering an exceptional panorama of the sea and the hills of Les Goudes.

Target

Develop this unused roof terrace. Largely dominated by its direct relationship with the sky, and the minerality of its context, the layout of the roof must blend into the decor.

Course of action

Work on the question of the limit and allow this new roof terrace to integrate elegantly and discreetly into its environment.

Achievement

The aesthetic choice was to work with light furniture, whose colors and materials are reminiscent of the immediate environment, or make nods to the imagination evoked by the place (boat, port, forts, etc.). The garden lounge and the dining area are the two strong, structuring elements, around which the color is brought by the small furniture, the decoration and the vegetation. Strict and direct forms are mixed with softer ones, to bring a touch of harmony and softness to the whole. The layout of the terrace contrasts with the brutality of its landscape. One serves the other for more lightness.

The outdoor design was realized in partnership with Good Design Store, for the supply of furniture (Fermob, Houe, Gervasoni, Petite Friture, Serax), Basset Diffusion Aubagne nursery for the plants (olive tree, phormium, dasylirion, cycas, etc).

A roof terrace where the owners now enjoy spending quality time!

LE QUARTIER

Private: Les Goudes

At the gates of the calanques, this district is in osmosis with nature.

L'ARCHITECTE COTE OUTDOOR

paysagistes@archik.fr
  • Crédits photosFranKc Orsoni
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Before …

Amandine COQUEREL

Co-founder

+33 (0) 6 81 36 80 10
amandine.coquerel@archik.fr

Always passionate about design and architecture, on the lookout for the latest trends and creations, Amandine, an engineer by training and with a Master’s degree in Marketing from ESSEC, created ARCHIK in 2014. While she has worked for large groups such as LVMH and L’Oréal, she has also tried her hand at various projects before embarking, in Marseille, on this adventure.

The ambition? To put its sensitivity to aesthetics and a certain art of living at the service of others. The young structure has earned its stripes as an essential stop for architecture lovers, collectors of characterful properties and connoisseurs of beautiful materials. With this objective in mind, Amandine has never ceased to enrich ARCHIK with profiles from diverse backgrounds: cinema, art, economy, luxury…

Its catalog, now very selective, has led it to prefer bourgeois apartments revisited by architects, villas with panoramic views and hidden properties with high potential. “ARCHIK is both a city real estate agency and an architecture agency. We cater to lovers of the city, its energy and possibilities.”

With her team, Amandine scours the city for her clients in search of those living spaces that have a signature. “Marseille is in the midst of change, there is a public for these properties, waiting for a flawless service. And they want to be accompanied in their renovation projects!” says Amandine. What could be better than associating an agency and architects? A story that has only just begun!

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In a 1930s building, this apartment with beautiful art-deco rosettes required a total rehabilitation.

Target

This apartment benefits from significant assets: beautiful volumes, a pleasant distribution, a crossing light. In its original state, the toilets were on the balcony, the kitchen was independent, the small living room was no longer functional, the living room lacked light. The objective is to connect the living rooms and give them back meaning, to write the history of the new occupants while respecting the place.

Course of action

To bring coherence to the different spaces, while proposing a real decorative bias.

Achievement

The living room becomes an office and has been opened on the corridor, thanks to a set of light wood claustras. The corridor, original by its U shape is highlighted by a game of color. The partition between the kitchen and the living room is transformed into a light wood skylight, thus bringing light and finally connecting the two spaces. Storage units have been specially designed for the office and the parents’ bedroom, and particular attention has been paid to the choice of materials in the kitchen and bathroom.

A gentle renovation, where life is good!

LE QUARTIER

Private: Cinq Avenues

Away from the Old Port, beyond the Canebière, is the Cinq Avenues neighborhood.

L'ARCHITECTE Un jour d’avril

architectes@archik.fr
  • Crédits photosChrystel Laporte
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Before …

À l’extérieur, le geste architectural se prolonge : piscine au sel et terrasse en terre cuite dialoguent avec un pool house en béton brut, pensé comme un lieu de vie. Ici, la lumière est omniprésente et les matières se révèlent grâce à des jeux d’ombres et de lumière.

Une dépendance de 27 m² autonome composée d’un salon avec sa kitchenette, d’une chambre ainsi que d’une salle d’eau crée un espace idéal pour recevoir ou avoir un lieu de travail indépendant.

Une cave en sous-sol répond aux besoins de stockage, tandis qu’un garage indépendant peut accueillir deux véhicules.

Un manifeste des années 60, pensé dans un équilibre parfait entre radicalité architecturale et art de vivre.

Paul Quintrand

Paul Quintrand (né en 1931) est un architecte, urbaniste et enseignant français dont le parcours s’inscrit dans le renouvellement des pratiques architecturales de la seconde moitié du XXe siècle. Diplômé de l’École nationale supérieure des beaux-arts de Paris, il s’associe dès les années 1960 avec l’architecte Georges Candilis, participant activement à l’élaboration de projets emblématiques du mouvement moderniste en France et à l’international.

Son engagement se traduit notamment à travers sa participation à la conception de grands ensembles et de zones à urbaniser en priorité (ZUP), comme Le Mirail à Toulouse et la ZUP de Firminy-Vert (avec Le Corbusier et André Wogenscky) projets pensés selon les principes de l’urbanisme de la Charte d’Athènes. Il fut également un pionnier dans l’introduction de l’informatique dans l’architecture, notamment à travers ses recherches menées au sein du laboratoire IAU (Institut d’Architecture et d’Urbanisme) de Marseille.

Professeur à l’École d’architecture de Marseille, il a influencé plusieurs générations d’architectes par son approche alliant rigueur scientifique, engagement social et ouverture aux nouvelles technologies. Son œuvre est marquée par une volonté constante d’expérimenter de nouveaux outils pour repenser la ville et l’habitat.

Sébastien COQUEREL

Co-founder

+33 (0) 6 83 34 90 69
sebastien.coquerel@archik.fr

Involved in ARCHIK from the beginning as co-founder, Sébastien works on all issues related to strategy, brand positioning and customer relations, as well as administrative and financial matters. His leitmotiv is to ensure ARCHIK’s high-end positioning through the quality of its customer relations. “ARCHIK is a company with structured work processes. And for all the cogs to work, it’s a permanent job that is not necessarily visible to everyone.

Sébastien has experience in this field. He worked for BMW for 10 years, from marketing to communications, including press relations and B-to-B sales, an experience which he applies to real estate. “With a background in a brand known for its rigour and the loyalty of its customers, I learnt what customers’ requirements are. It’s a matter of paying attention at every moment.

ARCHIK is characterised by real differences, “a quality of work, a desire to approach properties through the art of living, to offer a living space rather than square metres and to offer a specialised service by accompanying clients in the renovation of properties thanks to architects, decorators and other designers”.

This is an important specificity according to this fan of Frank Gehry, “an architect-sculptor, who also approaches his field in a different way: starting with an intention, an inspiration, he then imagines the tools necessary to make it real and viable”. According to Sébastien, this is a challenge that requires “evolving with the times, remaining flexible and listening to our clients in order to constantly reinvent ourselves”.

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échos

July – September 2021

In collaboration with the Villa Noailles, the Cirva and the Château Borély, ARCHIK presents this summer 2021 'Echoes', an exhibition dedicated to a new generation of designers, all winners of the grand prize of the Design Parade Hyères.

While “Souffles”, the twin exhibition hosted by the Château Borély, focuses on the work of these designers at the Cirva around the material of glass, ARCHIK has chosen to present a set of pieces with a plural vocabulary in response to this research.

In a fresh scenography, the objects imagined by Pernelle Poyet, Samy Rio, Julie Richoz, Carolien Niebling and Sara de Campos, answer each other and lead us in a joyful wandering between plastic experiments and detour of traditional craft production techniques.

Whether it’s lighting, furniture, books or tableware, each object presented testifies to the designers’ desire to build bridges between ideas, between know-how, between worlds. Design as a bridge, as a language, as an echo. Echo between tradition and modernity, between form and color, drawing and volume.

The Designers

Through her Autels Particuliers, Pernelle Poyet questions the evocative power of objects. Her sculptures, creative experiments inspired by the religious and the play of light and shadow, seek to transcribe into volume elements of the drawing.

How can design and its production techniques translate the finesse and nuances of a design? To what extent can they bring a new perspective on an age-old know-how, on the culture of a country? This is the bridge that Julie Richoz has chosen to explore, alongside the publisher Trame: her Giro ceramics made in Fez are the fruit of an enchanting balance between modern vision and traditional craftsmanship.

Samy Rio is also committed to using design as a spokesperson for know-how. With his Dota walker, published by ARCHIK, he confronts bamboo and anodized aluminum, in other words tradition and modernity. The bamboo is handcrafted into a perfect tube, not only giving the piece a contemporary look, but also highlighting the quality and precision of the handwork and the potential of a natural and ecological material.

A deep concern for detail, durability and functionality is also found in the work of Sara de Campos, who since Lisbon has been developing a series of objects and furniture that show a sensitive approach to materials, minimalism that allows each time to reveal the intrinsic beauty of the material.

In another register, Carolien Niebling uses design to unite the fields of science and food. Her work “The Sausage of the Future” questions the techniques of sausage production, often equated with junk food, and imagines new future potentials for them, more consistent with a sustainable food culture.

To go beyond aesthetic considerations, to go beyond formal research to better question the past and the future, to echo the traditions of yesterday and the ecological stakes of tomorrow.

PRACTICAL INFORMATION

Dates

From July 7, 2021 to the end of September 2021
at the Maison ARCHIK Marseille

The exhibition “Souffles”

From June 12 to November 7, 2021 at the Château Borély in Marseille.

@villanoailles
@cirvamarseille
@museesmarseille
@samy_rio
@sara.decampos
@carolienniebling
#pernellepoyet
@julierichoz 

The Opening

Marie TISSERAND

Partner

+33 (0) 6 76 04 18 30
marie.tisserand@archik.fr

A specialist in bastide and mansion houses, with a passion for industrial architecture, Marie is an ARCHIK girl.

Although she loves architecture, it was in the cinema that Marie made her first steps as an editor, in Paris and then in Marseille…

The purchase and several restorations of properties, a 17th century chapel, a bastide and the construction of a very contemporary house in the mountains put her in a good position. She became familiar with real estate and decided to join the ARCHIK team after a first contact with Amandine on Facebook, which is quite a feat for a self-confessed technophile.

In Marseille, she loves the light, the location, the cosmopolitan atmosphere, and a few favourite districts, from l’Estaque to Saint-Barnabé via La Joliette and Arenc, which she surveys relentlessly to find exceptional properties. Her preference today is for La Joliette, a district that is being reborn and where she recommends the theatre, “an ideal place to stroll and have a drink”.

In the heart of Bompard, the exteriors and views from the top floor of this townhouse appealed to the new owners. This small enclosed garden had to be able to accommodate two distinct spaces: a terrace/summer kitchen and a garden area.

Target

Nestled in the heart of Bompard district, this small enclosed garden had to be able to accommodate two distinct spaces: a terrace / summer kitchen and a garden area.

Course of action

This exterior was worked in two planes, signified by large horizontal elements, namely the low wall and the planting spaces.

Achievement

The result is a clever play of contrasts between sharp colors and a choice of plants with characterful foliage. Strelitzia and false pepper trees are green in all seasons, responding with character to the minimalist design painted on the wall. The low wall is long and accommodates the summer kitchen and garden spaces, creating an impression of perspective and depth.

A colorful and graphic patio, beautifully highlighting the different tones of the chosen species.

L'ARCHITECTE COTE OUTDOOR

paysagistes@archik.fr
  • Crédits photosVincent Driancourt
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Before …

TAL I KANN DESIGN

November – February 2020

Kann Design invests our Marseilles showcase with its TAL chair signed by Leonard Kadid which is enthroned in our holiday scenography.

Leonard Kadid is an architect and product designer based in Paris. From object to architecture, his studio’s work focuses on structural and material experimentation to explore the intrinsic characteristics of materials.

This exhibition highlights the co-creation of the TAL chair, between the designer and the furniture brand. ARCHIK invited the designer to imagine a scenography that reveals itself as a space of reflection around the design, with the different elements of the chair displayed on the walls.

Kann Design

Founded in Lebanon in 1958 by Kanaan, a renowned carpenter and father of Houssam Kanaan – founder of KANN Design, the Kanaan workshop is the pillar of the KANN Design project.

Having been immersed in furniture since his childhood, Houssam draws inspiration from and relies on the expertise and know-how of the experienced craftsmen who make up the brand’s heritage. Cabinetmakers, welders, upholsterers, painters and canners, most of whom have been with the company since its inception, work passionately, hand in hand, with a concern for creativity, quality and a deep sense of detail.

With this collective of craftsmen, KANN edits and concretizes the ideas and drawings of designers by making timeless furniture, technically irreproachable, and with absolute comfort.

With the taste for beautiful things, defended since its beginnings, KANN Design signs total and made-to-measure realizations, thought in the slightest details and in an always more sustainable approach.

The craft is honored in this scenography dressed in a leafy shade, highlighting the simple and contemporary curves of the TAL chair.

INFORMATIONS PRATIQUES

Dates

From December 2020 to February 2021
at the Maison ARCHIK Marseille

Sites des designers

www.kanndesign.com

Without fundamentally modifying the volumes of the apartment, the work consisted above all in a refreshment in all points of view (kitchen, painting, parquet floor, joineries), in order to offer to the purchasers an apartment which resembles them: an apartment with character, at the same time eclectic and audacious.

Target

To modernize an apartment in the Cité Radieuse while preserving its soul, drawing on the work of Le Corbusier.

Course of action

To provide a setting for the numerous works of art and designer furniture of the owners, great art lovers.

Achievement

The layout has been completely redesigned to highlight and stage the couple’s works. The kitchen has been completely redesigned to be more suitable in terms of functionality, while at the same time redoing some of Le Corbusier’s and Charlotte Perriand’s characteristic kitchen elements (high cupboards, reminder of the wooden handles on the kitchen fronts, etc.).
The range of colors used in the apartment is also directly inspired by the range of paint that Le Corbusier used in Bordeaux for the Cité Frugès, whether for the kitchen, or for certain volumes that have been repainted in pink, ivory white, almond green and red.

A precise renovation offering the best possible showcase for pieces and works of art!

LE QUARTIER

Sainte-Anne

Sainte-Anne is a typical residential area of the "city of 111 villages".

L'ARCHITECTE ÉCLECTISME CORBUSÉEN

  • Crédits photosOlivier Amsellem
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L’ avant …

Raphaëlle FORMOSA

Brand Director

+33 (0) 6 47 47 83 82
raphaelle.formosa@archik.fr

With her head full of ideas and the desire to sell them, Raphaëlle first plunged into the world of advertising agencies. For ten years, she put all her energy into strategy and creativity for brands. Then, the desire to work more concretely for the daily life of Parisians led her to work for the public service, in the communication department of the RATP.

But at the same time, a new desire took shape: always attracted by decoration and design pieces, she gradually refined her eye and her tastes, with a particular affection for the interior architects Laura Gonzalez and Dorothée Meilichzon, or the designers Charlotte Perriand and India Mahdavi. From decoration, she moved on to renovation: under the spell of the old, she enjoyed rethinking her first flat, then the second. She likes to sublimate the history of places and quickly becomes passionate about detecting the potential of old properties.

In love with a more intimate Paris, always on the lookout for confidential addresses, she admits to being rather “Right Bank”. When she discovered ARCHIK, she was immediately won over by its hybrid positioning between real estate, design and architecture. Naturally, she joined the Paris agency as soon as it opened, as a negotiator. A role that allows her to accompany her clients in their projects, as a true partner on whom her clients can rely.

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