Region: Marseille & Provence

Carnations | Caroline Venet

2020

‛Carnations’ est un travail de recherche mêlant réemploi de cuir et terre porcelaine recyclée.

This is a limited series of objects and furniture for the home, unique pieces handmade in France, made in collaboration with ceramist Fanny Richard, leatherworker Aurélie Chadaine, and the tile factory Normandy Ceramics.

The leather scraps, end of series or rejects from the fashion industry, are collected to be revalorized, sublimated by their asperities, irregularities of the skin, scars, natural wrinkles or veins, which make the uniqueness of each object. It is a meeting of materials and know-how, between the suppleness of a leather skin and the velvetiness of hard porcelain or enamelled stoneware.

Out of a desire to perpetuate Studiofoam’s enchanting universe, and still in this logic of offering a global package, we have co-published ONDE(S), a limited edition luminous suspension.

Caroline Venet

Caroline Venet created Studiofoam in 2017, which she conceives as a research laboratory. Through this design studio, Caroline proposes a unique interpretation of materials, questions manufacturing techniques and processes, between innovation and traditional know-how. The designer explores the boundaries between art, craft and design. She develops a multiple approach, from experimentation to installation, from material and surface design to product design, set design, scenography and art direction.

It is a meeting of materials and know-how, between the suppleness of a leather skin and the velvetiness of hard porcelain or glazed stoneware.

INFORMATIONS PRATIQUES

Dates

Mars 2020 à Juin 2020 à
la Maison ARCHIK Marseille

Novembre 2020 à Mars 2021 à
la Maison ARCHIK Paris

Site du Designer

@ studio foam

Le Vernissage

Façonner l’imaginaire | Amélie Maison d’Art

September – October 2019

ARCHIK continues its exploration of architecture, art and design by inviting the Parisian gallery Amelie Maison d'Art for this new exhibition.

Since ancient times in the Near and Middle East, the clay architectural model has explored, in a more or less explicit way, the relationship to reality and the sacred. Similarly, throughout the centuries, the practice of “paper architecture”, also called “visionary architecture”, has often been used by architects and artists to experiment with utopian projects and represent imaginary spaces. These conceptual drawings and models reflect a desire to imagine the world of tomorrow in the image of man, sometimes in opposition to the rationality of technology.

Pushing back the boundaries of art, craft and architecture, the sculptures and works on paper presented in “Shaping the Imagination” return us to this practice. Anouk Albertini’s series of monolithic buildings and natural biomorphic forms announce their relationship to the body with their titles “Family” and “Couple”. In parallel, Pilar Angeloglou’s constructions, like archaeological sites, are evocative of ancient and traditional architecture. Frédéric Heurlier Cimolaï’s work on paper, evoking mass plans, is intrinsic to his formal research on the proportions and modulations of space. Finally, Delphine Brabant’s radical constructions refer us to a monumental and brutalist architecture, communicating an expressive force to modernist and utopian currents.

Exhibited in the ARCHIK HOUSE, a place of work and creation around architecture, the pieces presented in “Façonner l’imaginaire” gain in autonomy and manifest their status as both objects and carriers of ideas.

Amelie Maison d'Art

“Since the beginning, our bias has been towards contemporary abstract art, which we feel is the strongest expression of the creative freedom of each artist who must create his or her own pictorial vocabulary.

Unlike figuration, abstraction also allows for an unlimited field of interpretation where the imagination of each artist is put to the test. Never seeing the same thing twice in a painting is the strength of abstraction.

We want to bring out a new generation of artists who deserve a prominent place in the art market.

Whether they are young or already present in prestigious collections, what all our artists have in common is their talent and the potential that our committee of experts recognises in them.

Our mission is to accompany them in their work, to increase their visibility, their notoriety and their rating.”

These conceptual drawings and models bear witness to a desire to imagine the world of tomorrow in the image of man, sometimes in opposition to the rationality of technology.

PRACTICAL INFORMATION

Dates

September – October 2019
at Maison ARCHIK Marseille

Exhibition curator

Cari Gonzalez-Casanova

Gallery website

@ amelie maison d’art

The Opening

STUDIO CIAO

Interior Architect

architectes@archik.fr

With 15 years’ experience in advertising in Paris as a creative designer for major brands such as Adidas, Google and Coca-Cola, Nicolas learned what makes great work: simplicity of concept, precision of method and exacting standards of production.

It was when he wanted to put his creativity to work on more concrete, tangible projects that Nicolas Souffleur decided to take the plunge and train in space design at the Ecole Boulle. His first agency experience came in Marseille, at Un Jour D’Avril! At the same time, he discovered ARCHIK’s multidisciplinary approach and entrepreneurial energy. Nourished by this universe, he decided to launch his own business in 2023, creating STUDIO CIAO, specializing in interior design projects for individuals and companies.

During a stay in Shanghai, Nicolas was struck by the work of Ólafur Elíasson, then exhibited at the Long Museum, whose works and their effect on the viewer were specially created and designed for the venue. It’s an approach Nicolas can identify with. A lover of ideas and stories, he initiates each project with a concept that serves as a guiding thread, gives meaning and aims to create spaces and settings that escape standardization and boredom. His materials of choice are wood and concrete for their timeless durability, and mirrors for their ability to transform a space.

With ARCHIK, Nicolas shares the vision of a privileged relationship with his customers, based on a passion for architecture and a tailor-made approach to their project.

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Projet moderniste labellisé Patrimoine du XXe, le Parc du Roy d’Espagne est une vaste opération d’urbanisation du Sud de Marseille partant à l’assaut des contreforts boisés du massif de Marseilleveyre qui sépare le centre-ville des Calanques. Le site naturel aura contribué à orienter le projet des architectes vers le modèle des cités-jardins.

 

Envisagée dès 1959, la construction sera achevée en 1974. L’ensemble comporte un dégradé de 10 tours portant des noms de régions espagnoles, ainsi que 60 villas individuelles noyées dans la végétation de la forêt, dans un cadre offrant confort, intimité, et détente. L’implantation, attentive à l’exposition solaire et respectueuse du paysage, dessine un plan de masse aéré et discontinu.

 

S’intégrant dans une vaste pinède, le programme crée une ville haute dans les collines. L’ensemble, qui possède ses propres équipements, allie services publics et privés, activités tertiaires et logements. Ainsi, commerces, écoles, club de loisirs, équipements sportifs en plein air, et accès direct au départ des sentiers des Calanques sont à disposition des habitants.

Guillaume Gillet & Louis Olmeta

Né en 1912 et mort en 1987, Guillaume Gillet est un architecte français, Premier Grand Prix de Rome. Connu pour son architecture moderne, il est à la tête de l’une des principales agences françaises. Il participe à de nombreux concours, réalise d’importants aménagements urbains et programmes immobiliers. Parmi ses œuvres les plus célèbres, on compte l’église Notre-Dame de Royan, le pavillon de la France à l’Exposition universelle de Bruxelles de 1958, l’École nationale de la magistrature à Bordeaux, ou encore la tour le Grand Pavois à Marseille. Une collaboration étroite avec de grands ingénieurs l’amène à travailler sur des structures innovantes, mariant habilement l’art et la technique.

 

Né en 1906, Louis Olmeta est un architecte marseillais. Ses réalisations se concentrent dans les années 1950 et 1960, au moment où la population augmente fortement dans la cité phocéenne. C’est avec l’arrivée de Gaston Defferre que vont se développer ses projets. En effet, le maire de Marseille lance un programme associant de gros travaux d’aménagement urbain et la construction de grands ensembles immobiliers. Louis Olmeta participe également à de nombreuses réalisations privées, souvent en association avec d’autres architectes. Louis Olmeta associe dans ses réalisations les critères du confort moderne et de l’esthétique traditionnelle par le choix des matériaux de façade et de leur dessin.

Marion GIOVANNETTI

Architect

architectes@archik.fr

An artist since her childhood, Marion naturally went on to study Art History, then architecture at La Villette in Paris, driven by her passion for conception. HMONP architect, she first put her skills at the service of various Parisian agencies, notably as team leader at Axel Schoenert Architecte.

In 2019, she decides to fly on her own and create her agency, to find the space of the sensitive: the history of a place, its inhabitants, their life project and their uses, the material … Originally from the Drôme, she returns to Provence to build and create in places that make her vibrate for their light, their landscape and their colors. She fell in love with Marseille for its sea and its cultural diversity, and settled there in 2020.

Passionate about the art of living in general and inspired by nature, travel, and world craftsmanship, Marion is particularly fond of “full-body” materials such as wood, concrete, terracotta, stone and glass, for their ability to last and develop a patina over time without losing their essence.

She exercises the profession of architect in its rigor and its range of responsibilities, adopting the role of conductor and creative master. In her renovations, she gives pride of place to the play of light that evolves with the day and the seasons.

With ARCHIK, Marion shares this same passion for the art of living. Convinced that together we are stronger, she joined the team to accompany you on your renovation projects in Marseille and its surroundings.

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RESONANCES INTERIOR DESIGN

Interior Designer

architectes@archik.fr

In love with raw and authentic materials, Yacine Bruckler, founder of RESONANCES Interior Design, has a weakness for suar wood, waxed concrete, terracotta and glass in all its diversity.

After a Master’s degree in Marketing, Yacine started in Paris as an International Project Manager for the group L’Occitane en Provence where she stayed for five years.  Attached to her Provencal roots, she chose to return to the sweetness of the South and to realize one of her dreams: to become an Interior Designer. In 2020, she went back to school and learned this new profession which is very close to her heart.

Then, she founded RESONANCES Interior Design, a firm with which she leads renovation and construction projects in partnership with HMONP architects. Today, her passion and her profession are one and the same and she accompanies her clients with heart and soul, creating a harmony that retranscribes their personality and their sensitivity. Curious by nature and of mixed race origin, the mix and match of styles and materials is a real source of inspiration for Yacine, like the work of Laura Gonzalez.

With ARCHIK it is a unique encounter, sharing the notion of “beauty” and a common philosophy of life: to pursue one’s dreams with all one’s strength. Yacine Bruckler joins ARCHIK to accompany you on your renovation projects in Marseille.

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