Manon Garcia del Barrio, artist and textile designer, and La Fille de Tipaza, ceramic artist, invite us into a silent world of materials and textures, white noise and memory.

Sharing a common source of inspiration, the Mediterranean, the two artists offer us an immersion into times long gone, which each of us can approach at our own pace, explore with our eyes, and bring back traces of: fragments of pottery, antique notebooks, treasures from the sea, delicate silhouettes, and majestic forms covered in seaweed and moss.

Carried by the words of Isabelle Alentour, poet of intimacy, the works take shape and voice, revealing life where everything seemed destined to disappear in a subdued, whispered world, where only resistant forms remain.

In the teeming landscape of contemporary design, Parisian artist-designer Marie Jeunet stands out for her luminous sculptures that transcend materials and capture the essence of light. Her delicate, sensitive work magnifies materials such as glass, brass and stone, revealing their singularity through a subtle play of reflections, giving life to hypnotic luminaires conducive to reverie.

These refined creations play on illusion: glass that looks smooth yet is full of history, rigid brass that turns out to be supple, the false lightness of a stone piece…

To stage her exhibition “L’ECRIN”, Marie Jeunet turned to Casamance, a benchmark in fabric publishing. The brand is renowned for its finely crafted fabrics, reflecting expert know-how. For this exhibition, Marie chose a Mennagio mordoré taffeta with a brittle, refined fall.

The Relax Factory tapestry workshop was responsible for the décor, creating a refined space that plays with the drapery of the fabric to evoke the delicate folds of a jewel case, inviting visitors to immerse themselves in a universe that is both raw and sophisticated.

The physical embodiment of La Revue N°5’s “Objects of Covetousness” column, the memòri studio has reproduced the interior of the director of the insurance firm “Fe + C”, a design enthusiast and creative genius with avant-garde ideas.

In the 1980s, he designed furniture for his offices. The man who seemed eccentric at the time had an unusual metal set made by an industrialist: bookcase, desk, wall lamps and coffee table.

Ah, the breast… it fascinates us all! Censored or flaunted, it’s a symbol of femininity, an emblem of maternity, an object of desire and a symbol of emancipation. For centuries, the breast has attracted the attention of artists, so it’s only natural that designers should take their turn.

ARCHIK therefore invited Ekhi Busquet & Matthieu Vergote, Axel Chay, Manon Delaune and Tapicheri to bring their naughty creations together in a fun, no-holds-barred group show in a Californian-style villa under the pines.

Humor may be the most obvious key to this day, but it’s by no means the only one! Through their productions and their respective commitments, these five creative minds are striving for a meaningful Beau by donating part of the profits to various associations in the fight against breast cancer. More than ever, creativity is a barrier to all forms of “Seinsure”, so there’s only one watchword: FREE THE NIPPLES!