Entre 1952 et 1954, André Devin et Yvan Bentz construisent l’immeuble La Résidence, initiant une “vague” de construction d’immeubles de rapport dans la ville.

La Résidence s’élève sur neuf niveaux, et se distingue des immeubles environnants par sa cage d’ascenseur vitrée et décentrée, et l’angle traité en retrait, annonçant une galerie couverte. Les deux ailes du “L” sont traitées différemment, dans un souci de recherche stylistique, mais aussi en raison de l’exposition au soleil. Ainsi, la façade Nord est traitée en béton banché et comporte un parement de pierre, ce qui produit un aspect opaque et très lisse. Cette rectitude est renforcée par des fenêtres en bandeau. A l’Ouest, en revanche, les balcons en saillie et les jeux de polychromie animent la façade. Une série de loggias superposées assure la transition avec l’immeuble voisin, attenant. Les architectes offrent ici un bel exemple d’intégration des principes de l’architecture moderne et fonctionnaliste à une réalisation urbaine régionale.

@Sylvie Denante

André Devin

Architecte français né en 1911, André Devin a joué un rôle important dans la reconstruction de la France après la Seconde Guerre mondiale. Très actif dans les années 1950 et 1960, il s’est illustré dans le domaine du logement social et de l’urbanisme. Son approche privilégiait la fonctionnalité et la qualité de vie des habitants, dans une vision moderniste et humaniste de l’architecture.

Yvan Bentz

Né en 1959, Yvan Bentz est un architecte français contemporain, cofondateur de l’agence Bentz + Krug. Il s’est fait connaître par des projets mêlant rigueur géométrique, attention aux usages, et sensibilité aux contextes urbains et naturels. Son travail explore les potentialités des matériaux bruts et de la lumière, dans une architecture sobre, durable et ancrée dans son époque.

Renovation of a typical apartment of the 60s. Bright, located on a whole floor at the corner of 2 streets, it originally had 3 bedrooms, a shower room, a bathroom and a kitchen. Bought by a couple, one bedroom was removed to create instead a beautiful living space.

Target

To give character to an apartment that didn’t have much. Favouring a large living space, very luminous, where the various pieces of furniture of the owners, keen on design of the 50s and 60s, will be highlighted. Renovate the whole, in its juice, with short perspectives, and with dark and not very functional rooms of water.

Course of action

Destructure to restructure. Open up the spaces as much as possible, but restructure them by using cross-cutting woodwork, giving onto both the hallway and the living room for example, or onto the hallway and the kitchen. Re-open and lengthen the perspectives, bet on white (the majority of the woodwork) and on pretty materials with soft, subtle tones: light terrazzo for the kitchen, slightly marbled tiles for the shower room, matt white tiles, almost chalky for the large bathroom…

Achievement

Except for the 2 bedrooms and bathrooms, all the partitions have been removed. For the most part, they were replaced by custom-made woodwork. For example, the wall of the corridor was replaced by a large bookcase, located in exactly the same place, but which lets the light pass. A lot of work was done on the parquet floor, which was entirely renovated and completely redone in some rooms where there was none left. The kitchen was enlarged to the maximum, with the same principle of “crossing” furniture giving on the corridor. The two bedrooms were optimized by creating custom dressings at the head of the bed. A very graphic joinery work marks the entrance, and gives a strong personality, in contrast to the rest of the essentially white joinery.

A renovation that gives pride of place to materials and light.

LE QUARTIER

Périer – Delibes

An extension of the very chic Carré d'Or, Périer is one of the most sought-after neighborhoods...
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Before …

Without fundamentally modifying the volumes of the apartment, the work consisted above all in a refreshment in all points of view (kitchen, painting, parquet floor, joineries), in order to offer to the purchasers an apartment which resembles them: an apartment with character, at the same time eclectic and audacious.

Target

To modernize an apartment in the Cité Radieuse while preserving its soul, drawing on the work of Le Corbusier.

Course of action

To provide a setting for the numerous works of art and designer furniture of the owners, great art lovers.

Achievement

The layout has been completely redesigned to highlight and stage the couple’s works. The kitchen has been completely redesigned to be more suitable in terms of functionality, while at the same time redoing some of Le Corbusier’s and Charlotte Perriand’s characteristic kitchen elements (high cupboards, reminder of the wooden handles on the kitchen fronts, etc.).
The range of colors used in the apartment is also directly inspired by the range of paint that Le Corbusier used in Bordeaux for the Cité Frugès, whether for the kitchen, or for certain volumes that have been repainted in pink, ivory white, almond green and red.

A precise renovation offering the best possible showcase for pieces and works of art!

LE QUARTIER

Sainte-Anne

Sainte-Anne is a typical residential area of the "city of 111 villages".
  • Crédits photosOlivier Amsellem
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L’ avant …

More than a renovation, this project is a revelation of a rare Type G duplex on the south façade of the Cité Radieuse. The flat was acquired by Cité Radieuse enthusiasts, so the idea was to restore it to its original appearance with the greatest respect for Le Corbusier.

Target

To adapt this flat to a modern family life, by imagining new spaces, while respecting the place’s original design.

Course of action

To create a bright and peaceful family flat. Customize the spaces so that every member of the family makes it its own.

Achievement

On the ground floor, the kitchen was completely refurbished, the niches were revealed, and the entrance furniture was tailor-made. The window frames were given a new lease of life after thorough sanding. On the first floor, the two children’s bedrooms were recreated in length, and the original sliding door was restored to its original state. Charlotte Perriand’s wardrobes were heightened to create a different space for each girl. In the large master bedroom, a desk/bookcase runs along the wall and adds a graphic element. Finally, an incredible cellar on the first floor has been integrated into the flat, creating a vast dressing room on one side and a laundry room on the other.

A delicate renovation, enhancing the work of Le Corbusier while adapting it to our times.

LE QUARTIER

Sainte-Anne

Sainte-Anne is a typical residential area of the "city of 111 villages".
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Before…

Côté nuit, trois chambres se partagent une salle d’eau contemporaine, et de nombreux rangements intégrés.
Une buanderie et une cave complètent ce bien.
Un appartement intégré dans un complexe architectural et perché dans le ciel marseillais.

Mario Fabre

Mario Fabre était un architecte français formé à l’École Régionale d’Architecture de Marseille, diplômé en 1960. Il a collaboré avec Bernard Laville à partir de 1963, réalisant plusieurs projets immobiliers de prestige pour le promoteur Georges Laville, dont la résidence Château Sec. Fabre a toujours mis l’accent sur la qualité des espaces, le confort des usagers et l’attention au contexte, même dans des projets de grande envergure. Il est décédé en 2024, laissant un héritage architectural notable.

Bernard Laville

Fils de Georges Laville, promoteur-constructeur influent à Marseille, Bernard Laville a suivi sa formation à l’École Régionale d’Architecture de Marseille dans les années 1950. Il a obtenu son diplôme en 1961 et a travaillé dans diverses agences avant de s’associer avec Mario Fabre en 1963. Ensemble, ils ont conçu plusieurs opérations immobilières de prestige, dont la résidence Château Sec. Après la dissolution de leur association en 1969, Bernard Laville a poursuivi sa carrière en réalisant des projets tels que le parc Berger et le Grand Pavois.