In the rich landscape of contemporary design, Parisian artist and designer Marie Jeunet stands out for her luminous sculptures that transcend matter and capture the essence of light. Her delicate and sensitive work magnifies materials such as glass, brass, and stone, revealing their uniqueness through subtle plays of light that bring hypnotic pieces to life, conducive to daydreaming.

These refined creations play on illusion: glass that appears smooth yet is steeped in history, rigid brass that turns out to be supple, the false lightness of a stone piece…

For the staging of her exhibition “L’ECRIN,” Marie Jeunet turned to Casamance, a leading name in fabric design. The brand is renowned for its exquisitely crafted fabrics, reflecting expert craftsmanship. For this exhibition, Marie chose a very refined golden brown Mennagio taffeta with a crisp drape.

The decoration was created by the Relax Factory upholstery workshop, which designed a refined space playing with the drapes of the fabric to evoke the delicate folds of a jewel box, inviting visitors to immerse themselves in a world that is both raw and sophisticated.

A variation on a theme, drawing on different skills and materials to reveal the stylistic richness of a classic library item that has fallen into disuse.

This exhibition pays tribute to the graphic universe that has surrounded books for centuries, as well as to the artists who still strive to renew the genre today, thereby preserving the magic of libraries, in contrast to the all-digital world.

A theme that echoes the release of the sixth edition of the Revue, the agency’s annual publication that expresses the founders’ keen interest in printed matter and beautiful books.

A retrospective of the designer and artistic director’s collaborations, this exhibition is a veritable immersion in her sunny, polychromatic universe, an ode to the palette of colors that characterizes her, to her love of the prism, a meteorological miracle.

An arcencielophile is someone who, after a rain shower, looks up to the sky
the sky in search of that colorful miracle. A hunter of technicolor emotions, an aesthete of the fleeting, a collector of celestial reflections.
It’s also a state of mind: a way of seeing life in nuances, of believing in joy after the storm, of walking on the side of the sun as an art of living. For there’s something almost militant in the rainbow: a demand for beauty, a reminder that unexpected poetry can emerge from any contrast or disruption.

In her creations, the Basque designer plays with architectural lines, awakened by the bold colors that have become her signature. Her pieces are designed to last, transcending trends and embodying a form of modernity at the crossroads of the functional and the cosmic.

On the occasion of her exhibition at our Parisian Maison ARCHIK, Ekhi Busquet will be showing the fruit of her collaborations with Atelier Paolo, Fabien Barrero Carsenat and Kymo Floor. But above all, she will be previewing her second collaboration with designer Matthieu Vergote: the Seins-Germain collection of blown glasses, the fruit of their characteristic joyful impertinence!

Above all, his pieces speak for themselves. Each piece is part of a series named Les Lilas, Vue sur Mer, Canon à Lumière, and evokes particular eras, places or construction techniques. The aim is clear: to make the object tell its own story, even before it is explained.

His lamps and tables are not just functional: they become sculptural, capable of transforming a space. If they illuminate, they also illuminate the idea of the object as a trace of architecture and collective memory.

Frédéric explores the constraints of the material and the technical possibilities offered by ceramics. Each filling becomes an experiment in finesse, weight, assembly methods and texture. Inspiration from Pierre and Vera Szekely and André Bloc resonates in his volumes and surfaces.

The aridity of large modern cities, the brutality of functionalist buildings from the 50s and 70s and the mass layouts of large housing estates permeate his work. Each of his creations is both a tribute to and an interrogation of social housing.

“Totem” is a retrospective of HEJU Studio’s collaborations with French brands and galleries sharing the same values of timelessness and sustainability: Ressource, Carocim, Nobodinoz, La Lune and Virginie Lesage. Through a selection of furniture collections, materials and artworks, this exhibition celebrates a singular aesthetic where rounded reliefs, graphic forms and primitive architectural vocabulary intertwine to create sensitive, poetic objects.