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PROUE

ROYAN

850 000 €

Type of property House
Area 204 m2
Room(s) 4
Exterior Terrasse, balcon
Current Modern
Condition To renovate
Amount of the renovation 250 000 - 300 000 €
Reference RO458
WE LIKE

Details of the interior layout
The singularity of the plan and the composition of the volumes
The architectural walk in one place

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Modern architecture, this seaside villa listed as a Historic Monument is the work of Pierre Marmouget, associated for the occasion with Édouard Pinet. It offers approximately 204 m2 of living space on a plot of 411 m2 a few meters from the Parc market and Grande Conche beach.

Designed in 1952, the villa is marked by bold architecture, inspired by the fluid lines of a ship. Raised on two levels, the main rectangular body follows the shape of the elongated plot, then develops, like a prow, along a generous curve in the shape of a rotunda topped by a passageway. The whole rests on a thin slab barely raised to create a feeling of weightlessness. A set of concrete and glass brick claustras then makes the link with a second volume from which a concrete veil with complex lines stands out, drawing a loggia with an openwork roof which rests on a stilt.
Its free plan, characteristic of the modern movement, allows for the organization of spaces and volumes according to their function. The ground floor of the main body is thus made up of a single room of 100 m2 with spectacular volumes. The posts replacing the load-bearing walls allow the presence of a single opening over almost the entire length of the room and its curve.
Within this vast room, each function has its own space, structured by differences in levels, type of floor or decorative and functional elements. The 'living room' space and its strip window is bordered by a unique row of vertical wings forming an interior sunshade which separates it from the 'fireside' space, raised by two steps, with its sculptural suspended fireplace making facing a bench anchored in balance. The hearth of the fireplace stretches to the 'meal' space, supporting a row which seems to float at the same height as the 'living room' space, the epicenter kiosk of the rotunda giving access to a terrace via curved sliding windows.

If Royan is sometimes described as 'Little Brazilia', it is to Pierre Marmouget that she owes it.

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